The Song is calcified. Listen to pop radio. Stasis. Musicians incorporate artificial intelligence into the compositional process. Stasis. The American visa system rejects any music that differs from what is at the top of charts. Stasis. The composition, as a mechanical process, promotes atrophy.
The Modern Dance (1978) marked the end of Rock N Roll.Twenty-four unique musicians, over the course of 48 years, yielded the current Pere Ubu line-up: Gagarin, Keith Moliné, Alex Ward, Michele Temple and Jack Jones. They recorded Trouble On Big Beat Street (Cherry Red Records), along with Andy Diagram. The director of the Rock N Roll Hall Of Fame Museum described Pere Ubu as "a jewel in the crown of America's musical legacy to the world." The editor of Rolling Stone testified that there's never been a band like Pere Ubu and there never will be again.
Nevertheless, Pere Ubu is, again, stymied by the American visa barrier. So, we fix it. Boldly declaring that the Song is dead, Pere Ubu is to play an entirely improvised set of songs from its history in New York (June 19 at Le Poisson Rouge) and Los Angeles (June 22 at Lodge Room). Both former and current (non-British) members of Pere Ubu will take the stage: Wayne Kramer, Eric Drew Feldman, Michele Temple and Jack Jones, led by David Thomas, will be joined by Tony Maimone and Allen Ravenstine in NYC and Mayo Thompson in LA. Others may be invited.
Pere Ubu does not encourage chaos. We preserve it.
The Song is dead! Long live the Moment!
Faust is a co-bill for the NYC show. Mike Watt and the MissingMen will support in LA.
"Here comes trouble on Big Beat Street," David Thomas says. "The beginning of the next Pere Ubu adventure. The Pere Ubu Moon Unit makes songs that never existed before and will never exist again, songs orchestrated by the subconscious, and liberated from the cult of personality."

WATCH! The Moon Unit performing on a livestream broadcast on DPK-TV.
Pere Ubu is a pirate ship, an entity comprised of equals dedicated to expediting the ship’s purpose. “Land ahoy! Loot, pillage!” Once the job is done, share out the spoils equally to every man, woman or boy onboard, regardless of race, age, sex or capability, and move on to the next destination. This ‘job’ was no different from the work of governments, merchant ships and privateers - in modern terms, corporations, unions and ‘rights’ organizations. “Ship ahoy! Loot, pillage!” A facade of laws and rhetoric legitimized fleets of galleons laden with the gold stripped from native peoples. Laws and rhetoric were contrived to funnel profits to fat cats. Pirate captains led by consensus and could be voted in or out. Sailors in the legitimate world, often kidnapped, received a pittance and were, effectively, slaves, harshly treated. Pirate flags, each unique, displayed coded messages - for example, 'Time is running out. We won't kill if you don't resist.''
The latest album by Pere Ubu, The Long Goodbye is the end of a road. David Thomas has been talking about Pere Ubu's journey on the road that passes Satisfied City for many years but he has now declared that they have arrived at the end. Named after Raymond Chandler's novel Mr Thomas says "This wraps up every song and story that Pere Ubu has been telling in different ways for the past forty plus years. It is one definitive hour that provides the answers to the questions we've been asking and delivers it up into what I consider the definitive destination. It is not the end of THE road for Pere Ubu but the beginning of a new road."